The artwork is 2.7 meters tall.
The column is formed from the chain paddles of a steel conveyor; the body is the universal joint head of a Mitsubishi forklift—once used to transport metal scrap: bottle caps, knives, spoons, forks, nails… extracted from household waste. Components shaped by heavy labor and disposal now rise upright and still, becoming a modest tabletop for a cup of coffee, for cutlery returned to daily use. The work marks a quiet transposition: from industry to intimacy, from discard to a renewed presence—allowed to live again, a few times more.
